meuze net R_01, overall approximately 80x40 inches, oil and polyester thread on canvas, 2015




 meuze_B01 , 60x60 inches, oil on canvas, 2015

 meuze_B02, 60x60 inches, oil on canvas, 2015

 meuze R_01, 40x40 inches, oil on canvas, 2015

meuze B_01, 23x18 inches, oil on canvas, 2015

 meuze S_01, 18x29.25 inches, water color, casein and paint stick on linen, 2015

 meuze S_02, 18x29.25 inches, water color, casein and paint stick on linen, 2015

 meuze WB_01, 24x48 inches, water color, casein and paint stick on linen, 2015

 meuze WB_02, 24x48 inches, water color, casein and paint stick on linen, 2015

 meuze WB_03, 18.25x34 inches, water color, casein and paint stick on linen, 2015

 meuze WB_04, 18.25x34 inches, water color, casein and paint stick on linen, 2015

meuze MY_01, 24x16inches, encaustic on canvas, 2012


tungsten light

fluorescent light

natural light

meuze DB_01, 18x34inches, casein on linen, 2014
_Van gogh’s last painting 


Untitled, 40x24x20inches, Oil pastel and Polyester thread on Canvas, 2014
 After Manet/Loincloth 



Untitled, 48x18x20inches, Polyester thread on Canvas, 2014
 After Manet/Loincloth from Campfire

Untitled, 20x20 Inches, Encaustic on Canvas, 2014


Fourteen layers of Williamsburg Oil Mars Black applied using brush strokes based on the buildings from Van Gogh’s Café Terrace at Night. from Campfire

Untitled, 10x7 inches, Polyester thread on Canvas, 2014

Untitled, 30x21 inches, Oil on Canvas, 2013
 Williamsburg genuine cerulean blue Mona Lisa

Untitled, 24x16 Inches, Encaustic on Canvas, 2012
 Eleven layers of Gamblin Cadmium Yellow Light applied using brush strokes based on the moon from Van Gogh’s Starry Night. 

Untitled, 25x19 Inches, Encaustic on Canvas, 2012
Twenty-three layers of Williamsburg Oil Cadmium Red Light applied using brush strokes based on the blanket from Van Gogh's Bedroom. 

Untitled, 20x16 Inches, Gouache, Acrylic on Linen, 2012
Six layers of Golden Teal applied using brush strokes based on background from Van Gogh’s Almond Blossom.







Untitled, 44 x 35 3/4 inches116.8 x 91 cm(each)encaustic on canvas, 2008

Portraits of Schmincke Premium artists` pigments 18361③★★★★★K Cadmium red deep-EXTRA International Painting

Wonchun Che. "Fourteen layers of Schmincke Mussini Oil Ultramarine Blue Deep applied using brush strokes based on Gerhard Richter’s Building painting series." Oil on canvas. 28" x  30." 2012
Untitled, Oil on canvas. 28x30 inches, 2012
Fourteen layers of Schmincke Mussini Oil Ultramarine Blue Deep applied using brush strokes based on Gerhard Richter’s Building painting series.

Wonchun Che. "Twenty layers of Williamsburg Oil Ivory Black applied using brush strokes based on the buildings from Van Gogh’s Café Terrace at Night." Oil on canvas. 18" x 10." 2013
Untitled, Oil on canvas. 18x10 inches, 2013
Twenty layers of Williamsburg Oil Ivory Black applied using brush strokes based on the buildings from Van Gogh’s Café Terrace at Night.

Wonchun Che. "Seven layers of every paint from Gamblin's Series 1 desolved in turpentine for 1 week." Oil on linen. 24" x  18." 2013
Untitled, Oil on linen. 24x18 inches, 2013
Seven layers of every paint from Gamblin’s Series 1 desolved in turpentine for 1 week.

Wonchun Che. "Twelve layers of Gamblin Cadmium Yellow Light applied using brush strokes based on the moon from Van Gogh’s Starry Night." Encaustic on canvas. 24" x 16." 2012
Untitled, Encaustic on canvas. 24x16 inches, 2012
Twelve layers of Gamblin Cadmium Yellow Light applied using brush strokes based on the moon from Van Gogh’s Starry Night.

Wonchun Che. "Twenty-three layers of Williamsburg Oil Cadmium Red Medium applied using brush strokes based on the texture of the Campbell tomato soup inside the can." Oil on canvas. 29" x 21." 2012
Untitled, Oil on canvas. 29x21inches, 2012
Twenty-three layers of Williamsburg Oil Cadmium Red Medium applied using brush strokes based on the texture of the Campbell tomato soup inside the can.

Wonchun Che. "Twenty-three layers of Williamsburg Oil Cadmium Red Medium applied using brush strokes based on the texture of the Campbell tomato soup inside the can." Oil on canvas. 29" x 21." 2012
Untitled, Oil on canvas. 29x21inches, 2012
Twenty-three layers of Williamsburg Oil Cadmium Red Medium applied using brush strokes based on the texture of the Campbell tomato soup inside the can.

Wonchun Che. "Ten layers of Old Holland Classic Oil Parisian Blue Extra applied using brush strokes based on Gerhard Richter’s Building painting series." Oil on canvas. 10" x 22." 2012
Untitled, Oil on canvas. 10x22 inches, 2012
Ten layers of Old Holland Classic Oil Parisian Blue Extra applied using brush strokes based on Gerhard Richter’s Building painting series.




meuze, Encaustic on Canvas, 24x16 Inches, 2012


 Eleven layers of Gamblin Cadmium Yellow Light applied using brush strokes based on the moon from Van Gogh’s Starry Night.

This is one of a series of 32 paintings that are based on the brush strokes from the moon of Van Gogh’s Starry Night. Each layer is made up of a 37ml tube of paint.

meuze, Encaustic on Canvas, 20x20 Inches, 2012 


 Fourteen layers of Williamsburg Oil Mars Black applied using brush strokes based on the buildings from Van Gogh’s Café Terrace at Night.

This is one of a series of 32 paintings that are based on the brush strokes from the buildings from Van Gogh’s Café Terrace at Night. Each layer is made up of a 37ml tube of paint.


 meuze, Encaustic on Canvas, 25x19 Inches, 2012


Twenty-three layers of Williamsburg Oil Cadmium Red Light applied using brush strokes based on the blanket from Van Gogh's Bedroom. 

This is one of a series of 32 paintings that are based on the brush strokes from the blanket of Van Gogh’s Bedroom. Each layer is made up of a 37ml tube of paint.

meuze, Oil on Linen, 30x24 Inches, 2012



Nine layers of Gamblin Viridian applied using brush strokes based on Gerhard Richter’s Building painting series.
 This is one of a series of 32 paintings that are based on the brush strokes from Gerhard Richter’s Building painting series.  Each layer is made up of a 37ml tube of paint.



meuze, Gouache, Acrylic on Linen, 20x16 Inches, 2013

Five layers of Golden Teal applied using brush strokes based on background from Van Gogh’s Almond Blossom.
This is one of a series of 32 paintings that are based on the brush strokes from the background of Van Gogh’s Almond Blossom. Each layer is made up of a 1oz bottle of paint.






 meuze, Gouache, Acrylic on Linen, 20x16 Inches, 2013

Five layers of Golden Teal applied using brush strokes based on background from Van Gogh’s Almond Blossom.
This is one of a series of 32 paintings that are based on the brush strokes from the background of Van Gogh’s Almond Blossom. Each layer is made up of a 1oz bottle of paint.




meuze, Acrylic on Canvas, 30x21 Inches, 2013 


Eight layers of Golden Teal applied using brush strokes based on background from Van Gogh’s Almond Blossom.

This is one of a series of 32 paintings that are based on the brush strokes from the background of Van Gogh’s Almond Blossom. The painting is the same size as Leonardo da Vinci’s Mona Lisa. Each layer is made up of a 1oz bottle of paint.



2014, untitled, dry pigment, champagne chalk on canvas, 36 x 26 inches.

 2014, untitled, 36 x 12 inches, casein on canvas

2014, untitled, 36 x 12 inches, casein on canvas




Untitled, Oil on Canvas, 24x16 Inches, 2012

Untitled, Oil on Canvas, 16x36 Inches, 2012







Untitled, Water Color Sketchbook No.D5212 220g 16 sheets made by A&D Co. size 5 (440mm x 317mm) is coated from number 1 to number 22 in Alpha Color Co. Solgeo series A ★★ No.142 Permanent Yellow Orange, made in Korea, by Whahong 948 series no. 4 brush, made in Korea, 2008 














Untitled, SENNELIER(Made in France) Huile Extra –Fine Solide Oil Stick N°686 Primary Red ★★★-T-Serie 3- Colorindex: PV 19. Portrait of Primary Red